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The Dominion of the Dead (Historical Studies of Urban America)

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The Dominion of the Dead (Historical Studies of Urban America)

By: Robert Pogue Harrison  

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Average Customer Rating: 5.0 out of 5

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How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us.

This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.

The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.


Publisher: University Of Chicago Press

Customer Review: 5 out of 5
nil nisi bonum - As could be expected, Robert Pogue Harrison presents a thoughtful and elegant meditation on remembrance and the power of the dead for the living. It is curious to see how many patterns the dead fashion for us in our care for them. Though versions of Heideggerian phenomenology and the philology of Vico inform threads of the argument, at no time does the poetic work find itself in a bog of theory for the sake of theory. Also pleasing for this reader is Harrison's willingness to traverse the exigencies of the moment and its hyperpatriotic upwellings, (so common and gauche over the last few years,) so he can dwell on the traditional and lasting relations the dead and the living maintain. The passages on Maya Lin's Vietnam Memorial resounded with an appropriately complex and awesome response. The argument's course runs through a dead realm with emphasis on Europe and the United States. Fruitful studies of the ancestral dead exist for Mayan and Chinese and Egyptian civilizations (to name a few), yet these do not fit the purview here. Such inclusion might have matured or at least ripened a western view on this mortal matter. I very much enjoyed this tour of thought through poetry, myth, memorial and monument. It does nothing if not enrich with shiny insights on the dead in our myths and lives.

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