Times Square Red, Times Square Blue

Times Square Red, Times Square Blue

By: Samuel Delany   Samuel R. Delany  

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Average Customer Rating: 4.5 out of 5

"Remarkable." -Salon

"Essential." -The Nation

"In a provocative and persuasively argued cri de coeur against New York City's gentrification and the redevelopment of Times Square in the name of 'family values and safety,' acclaimed science fiction writer Delany proves himself a dazzlingly eloquent and original social commentator. . . . This bracing and well-calibrated blend of journalism, personal history and cultural criticism will challenge readers of every persuasion." -Publishers Weekly[starred review]

Both a celebration of the kaleidoscopic possibilities inherent in urban diversity and a eulogy for the plurality of human contact and stimulation squelched by the Times Square makeover." -Village Voice

If one street in America can claim to be the most infamous, it is surely 42nd Street. Between Seventh and Eighth Avenues, 42nd Street was once known for its peep shows, street corner hustlers and movie houses. Over the last two decades the notion of safety-from safe sex and safe neighborhoods, to safe cities and safe relationships-has overcome 42nd Street, giving rise to a Disney store, a children's theater, and large, neon-lit cafes. 42nd Street has, in effect, become a family tourist attraction for visitors from Berlin, Tokyo, Westchester, and New Jersey's suburbs. Samuel R. Delanysees a disappearance not only of the old Times Square, but of the complex social relationships that developed there: the points of contact between people of different classes and races in a public space. In Times Square Red, Times Square Blue, Delany tackles the question of why public restrooms, peepshows, and tree-filled parks are necessary to a city's physical and psychological landscape. He argues that starting in 1985, New York City criminalized peep shows and sex movie houses to clear the way for the rebuilding of Times Square. Delany's critique reveals how Times Square is being "renovated" behind the scrim of public safety while the stage is occupied by gentrification. Times Square Red, Times Square Blue paints a portrait of a society dismantling the institutions that promote communication between classes, and disguising its fears of cross-class contact as "family values." Unless we overcome our fears and claim our "community of contact," it is a picture that will be replayed in cities across America.

Description:
An award-winning science fiction writer, esteemed professor of comparative literature at the University of Massachusetts-Amherst, and celebrated essayist and memoirist, Samuel Delany is one of America's keenest observers. He was also a longtime habitué of many of the sex theaters in New York City's Times Square, spending, by his own estimate, "thousands and thousands of hours" at the Capri, Variety Photoplays, the Eros, and the Venus. In the 1990s all of these theaters were shut down through new restrictive zoning laws, part of a combined effort by the Walt Disney Corporation and the administration of Mayor Rudy Giuliani to gentrify the area, replacing these seedily memorable institutions with antiseptic, innocuous architectural and cultural creations in the name of health safety. But as Delany reveals in his new book, Times Square Red, Times Square Blue, the decision to clean up Times Square had little to do with public health, and everything to do with corporate greed.

In the two essays that comprise this eloquent, provocative book, Delany grieves for the loss of this strip of sexual release. Though he is careful not to romanticize or sentimentalize the peep shows and porn theaters, he does illuminate the way in which these venues crossed class, racial, and sexual orientation lines, providing a delightfully subversive utopia--and a microcosm of New York life. In the first essay, "Times Square Blue," Delany details his shared erotic and conversational encounters with working-class and homeless men in the theaters (which primarily showed straight porn films) and the genuine friendships that resulted; these immensely personal reminiscences also provide a social history of late-20th-century Times Square. Drawing on historical and theoretical resources in the second essay, "Three, Two, One, Contact: Times Square Red," Delany next builds a thoughtful and passionate argument against the gentrification of the area and the classist, characterless direction in which he sees New York heading. Read together, the essays of Times Square Red, Times Square Blue are both heartfelt homage to a beloved city and lament for a quirky vitality increasingly phased out by encroaching capitalism. --Kera Bolonik

Publisher: NYU Press

Release Date: 2001-11-12

Customer Review: 5 out of 5
hey, reader! stop giving no-star ratings to this book! - A confused "Amazon Customer" is repeatedly inserting blurbs from other periodicals into the "customer review" section of this page, AND failing to give "star" ratings to these inserts -- thus steadily dragging down the star-rating of this book. Since the blurbs are positive and have been repeatedly entered, I assume this "Amazon Customer" wants people to be interested in the book. Well, by failing to give a star rating, you're doing exactly the opposite! So either stop inserting blurbs altogether, or start giving them star ratings. This book is too cool to be muddied up by your confusion.

Customer Review: 5 out of 5
Prelude and fugue - Samuel Delaney has done the near imposible - he has written a book that is both titillating and informing. Dividing his cogent 21st Century social philosophy into two parts is at first disconcerting: Why are we reading (buying) a book that lets us in on the gossip of firsthand observation of Times Square New York, then in a page turn becomes a sophisticated academic treatise on our current social problems, in the City, and in a Country? Once past this mirage of a hurdle Delaney makes it patently clear why he chose this format. If we are introduced to a problem in a seductive manner, we pay closer attention to the bigger issues. This superb little book is illuminating in its exploration of where we are in our interpersonal relationships, our interplay with those around us (street, neighborhood, city, country), and our current drive to homogenize our world. Beautifully written, immensely readable, and a very important contribution to our social perceptions!

Customer Review: 5 out of 5
An intelligent, touching book - I always thought of Samuel Delaney as a writer of science fiction, my least favorite genre, so this is my first book by him. I was impressed and delighted. The worst thing I can say about it is that Mr. Delaney has a love of dependent clauses strung along inside comma-copious sentences that were sometimes hard to read. But he has awesome insights too, and compassion and wisdom lace every page. Makes me wish I was old enough to partake of that culture.

Customer Review: 5 out of 5
Sex and the City - A remarkable book, with both the frankest discussion of people's sexual desires and needs of any book I've read in years, and a compelling argument about the crucial role places like the old Times Square play in the life of a city. A paeon to America's cities and an intimate history of a culture being destroyed. Delany's masterful prose makes this brief book a treat to read. A great stocking stuffer for the intellectually and sexually adventurous.

Customer Review: 2 out of 5
Not worth it - This book promises to be a history and social commentary on Times Square's sleazy recent past. But in reality the book is told from a very narrow and restrictive point-of-view (. . . )There's nothing wrong with that except he practically ignores the fact that the West 42nd Street sex shops, peep shows, and massage parlors were also an attraction for heterosexual men. The reader will get painfully tired of reading endless descriptions of Delaney's sexual exploits among the XXX theater crowd. Additionally, the handfull of black and white photos of the empty storefronts of the "Forty Deuce" were taken after most of the shops had been driven out of business. Without good photos of the way 42nd Street used to be, the vibrant nature of the area is greatly diminished and Delaney's text doesn't make up for it. If you are looking for a social history of the old Times Square, something balanced and better illustrated, try Josh Alan Friedman's "Tales of Times Square" instead.

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